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+2
Alex Morgan
•
5 min ago
★★★★★4/5

Just finished watching this. Visuals were stunning but the pacing felt a bit off in the second half. Still worth a watch!

+4
Daniel Cooper
•
2 days ago
★★★★★2/5

I don't get the hype. The plot was predictable and the characters felt flat. It seems like style over substance to me. Maybe I missed something, but I was bored throughout.

+142
Priya Sharma
•
15 days ago
★★★★★5/5

An absolute masterpiece. The director managed to weave complex themes into a compelling narrative without it feeling forced. The cinematography is some of the best I've seen in years. Truly a cinematic experience that stays with you.

Urgent ou à quoi bon exécuter des projets puisque le projet est en lui-même une jouissance suffisante
7.0
1h 42m

Urgent ou à quoi bon exécuter des projets puisque le projet est en lui-même une jouissance suffisante

Gérard Courant applies the Lettrist editing techniques of Isidore Isou to footage of late 70's pop culture. Courant posits that his cinema offers an aggressive détournement to the French mainstream, reifying a Duchampian view of film: "I believe in impossible movies and works without meaning... I believe in the anti-movie. I believe in the non-movie. I believe in Urgent... My first full length movie that is so anti-everything that I sometimes wonder if it really does exist!"

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Awards & Recognition

No awards information available.

Top Cast

John Lennon

John Lennon

Self

Yoko Ono

Yoko Ono

Self

Mouna

Mouna

Self

Marie-José Nat

Marie-José Nat

Self

Daniel Gélin

Daniel Gélin

Self

Marisa Mell

Marisa Mell

Self

Alain Delon

Alain Delon

Self (archive footage)

Jean-Pierre Melville

Jean-Pierre Melville

Self (archive footage)

Janine Bazin

Janine Bazin

Self

Claude Berri

Claude Berri

Self

Overview

Urgent ou à quoi bon exécuter des projets puisque le projet est en lui-même une jouissance suffisante (1977) is rated ⭐ 7/10.
Gérard Courant applies the Lettrist editing techniques of Isidore Isou to footage of late 70's pop culture. Courant posits that his cinema offers an aggressive détournement to the French mainstream, reifying a Duchampian view of film: "I believe in impossible movies and works without meaning... I believe in the anti-movie. I believe in the non-movie. I believe in Urgent... My first full length movie that is so anti-everything that I sometimes wonder if it really does exist!"