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+2
Alex Morgan
•
5 min ago
★★★★★4/5

Just finished watching this. Visuals were stunning but the pacing felt a bit off in the second half. Still worth a watch!

+4
Daniel Cooper
•
2 days ago
★★★★★2/5

I don't get the hype. The plot was predictable and the characters felt flat. It seems like style over substance to me. Maybe I missed something, but I was bored throughout.

+142
Priya Sharma
•
15 days ago
★★★★★5/5

An absolute masterpiece. The director managed to weave complex themes into a compelling narrative without it feeling forced. The cinematography is some of the best I've seen in years. Truly a cinematic experience that stays with you.

Good Morning
7.7
1h 34m

Good Morning

A lighthearted take on director Yasujiro Ozu’s perennial theme of the challenges of inter­generational relationships, Good Morning tells the story of two young boys who stop speaking in protest after their parents refuse to buy a television set. Ozu weaves a wealth of subtle gags through a family portrait as rich as those of his dramatic films, mocking the foibles of the adult world through the eyes of his child protagonists. Shot in stunning color and set in a suburb of Tokyo where housewives gossip about the neighbors’ new washing machine and unemployed husbands look for work as door-to-door salesmen, this charming comedy refashions Ozu’s own silent classic I Was Born, But . . . to gently satirize consumerism in postwar Japan.

Top Cast

Keiji Sada

Keiji Sada

Heiichiro Fukui

Yoshiko Kuga

Yoshiko Kuga

Setsuko Arita

Chishū Ryū

Chishū Ryū

Keitaro Hayashi

Kuniko Miyake

Kuniko Miyake

Tamiko Hayashi

Haruko Sugimura

Haruko Sugimura

Kikue Haraguchi

Kōji Shitara

Kōji Shitara

Minoru Hayashi

Masahiko Shimazu

Masahiko Shimazu

Isamu Hayashi

Kyōko Izumi

Kyōko Izumi

Midori Maruyama

Taiji Tonoyama

Taiji Tonoyama

Pushy Man

Toyo Takahashi

Toyo Takahashi

Shige Okubo

Overview

Good Morning (1959) is rated ⭐ 7.711/10.
A lighthearted take on director Yasujiro Ozu’s perennial theme of the challenges of inter­generational relationships, Good Morning tells the story of two young boys who stop speaking in protest after their parents refuse to buy a television set. Ozu weaves a wealth of subtle gags through a family portrait as rich as those of his dramatic films, mocking the foibles of the adult world through the eyes of his child protagonists. Shot in stunning color and set in a suburb of Tokyo where housewives gossip about the neighbors’ new washing machine and unemployed husbands look for work as door-to-door salesmen, this charming comedy refashions Ozu’s own silent classic I Was Born, But . . . to gently satirize consumerism in postwar Japan.

Awards & Recognition

No awards information available.

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