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+2
Alex Morgan
•
5 min ago
★★★★★4/5

Just finished watching this. Visuals were stunning but the pacing felt a bit off in the second half. Still worth a watch!

+4
Daniel Cooper
•
2 days ago
★★★★★2/5

I don't get the hype. The plot was predictable and the characters felt flat. It seems like style over substance to me. Maybe I missed something, but I was bored throughout.

+142
Priya Sharma
•
15 days ago
★★★★★5/5

An absolute masterpiece. The director managed to weave complex themes into a compelling narrative without it feeling forced. The cinematography is some of the best I've seen in years. Truly a cinematic experience that stays with you.

Love Meetings
8.3
1h 28m

Love Meetings

Pier Paolo Pasolini sets out to interview Italians about sex, apparently their least favorite thing to talk about in public: he asks children if they know where babies come from; asks old and young women if they support gender equality; asks both sexes if a woman's virginity still matters, what do they think of homosexuality, if divorce should be legal, or if they support the recent abolition of brothels. He interviews blue-collar workers, intellectuals, college students, rural farmers, the bourgeoisie, and every other kind of people, painting a vivid portrait of a rapidly-industrializing Italy, hanging between modernity and tradition — toward both of which Pasolini shows equal distrust.

Awards & Recognition

No awards information available.

Top Cast

Pier Paolo Pasolini

Pier Paolo Pasolini

Self - Interviewer (uncredited)

Lello Bersani

Lello Bersani

Narrator (voice)

Alberto Moravia

Alberto Moravia

Self - Writer

Cesare Musatti

Cesare Musatti

Self - Psychoanalyst

Peppino Di Capri

Peppino Di Capri

Self - Singer

Ezio Pascutti

Ezio Pascutti

Self - Football Player

William Negri

William Negri

Self - Football Player

Carlo Furlanis

Carlo Furlanis

Self - Football Player

Giuseppe Ungaretti

Giuseppe Ungaretti

Self - Poet

Camilla Cederna

Camilla Cederna

Self - Writer

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Overview

Love Meetings (1965) is rated ⭐ 8.259/10.
Pier Paolo Pasolini sets out to interview Italians about sex, apparently their least favorite thing to talk about in public: he asks children if they know where babies come from; asks old and young women if they support gender equality; asks both sexes if a woman's virginity still matters, what do they think of homosexuality, if divorce should be legal, or if they support the recent abolition of brothels. He interviews blue-collar workers, intellectuals, college students, rural farmers, the bourgeoisie, and every other kind of people, painting a vivid portrait of a rapidly-industrializing Italy, hanging between modernity and tradition — toward both of which Pasolini shows equal distrust.